Hong Lysa
‘In preparation/preparedness for being forgotten’, (beiwanglu, 备忘录 ) the Chinese title for Tan Pin Pin’s Invisible City (2007) involves an overlapping process, both bracing oneself for that inevitability yet also doing what one can to forestall memories from being lost. Tan Pin Pin’s camera documents individuals who in varying phases of their lives have come to this realization and commitment, and the documentary has perhaps aided their efforts, deferring the disappearance of their stories. (more…)
s/pores 